{"id":1186012,"date":"2026-01-09T06:23:15","date_gmt":"2026-01-09T14:23:15","guid":{"rendered":"https:\/\/www.moviemaker.com\/?p=1186012"},"modified":"2026-01-09T07:19:02","modified_gmt":"2026-01-09T15:19:02","slug":"imogen-poots-chronology-of-water","status":"publish","type":"post","link":"https:\/\/www.moviemaker.com\/imogen-poots-chronology-of-water\/","title":{"rendered":"Imogen Poots on Rejecting Roles and Embracing Kristen Stewart&#8217;s The Chronology of Water"},"content":{"rendered":"<p>Imogen Poots doesn\u2019t take roles anymore unless she really believes in them.<\/p>\n\n\n\n<p>\u201cIn my twenties I didn\u2019t understand the concept of gut and instinct because I hadn\u2019t had enough life experience yet,\u201d says the star of Kristen Stewart\u2019s directorial debut, <em>The Chronology of Water<\/em>.<\/p>\n\n\n\n<p>Poots also believes actors face a false pressure to take jobs they think will lead to bigger and better roles in the future. But she says one thing she\u2019s learned as an actor is that the only thing you really control is what projects you agree to do.&nbsp;<\/p>\n\n\n\n<p>\u201cI work predominantly in independent film and that was always my dream,\u201d she explains.&nbsp;<\/p>\n\n\n\n<p>One of her favorite parts of indie filmmaking is the element of risk.<\/p>\n\n\n\n<p>\u201cThe cool thing about independent cinema is when you\u2019re working with someone like Kristen and these other wonderful directors, you don\u2019t know if it\u2019s going to work or not but we all feel the same bone and dust. Our intentions are the same,\u201d she continues. \u201cYou hope this is a long road and there are all of these pressures to ejaculate yourself, for lack of a better term, around the world and it\u2019s very easy to let that happen when you\u2019re younger, even if you feel something is not for you.\u201d<\/p>\n\n\n\n<p>If other actors have another approach, that\u2019s fine with her.&nbsp;<\/p>\n\n\n\n<p>\u201cYou should go out and have fun and earn money, and take care of yourself and the people you love,\u201d she says. \u201cI just can\u2019t do shit. I\u2019d rather find another way to make money than do that.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Imogen Poots on Her Emotional Investment in <em>The Chronology of Water<\/em><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"iframe-container\"><iframe loading=\"lazy\" title=\"THE CHRONOLOGY OF WATER | Official Trailer (2025) 4K\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/YVwSJSHenMY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>Poots has played plenty of great roles \u2014 one of her most acclaimed films was for Jeremy Saulnier\u2019s 2015 horror film <em>Green Room<\/em> \u2014 but is on a career high thanks to roles in Nia DaCosta\u2019s new <em><a href=\"https:\/\/www.moviemaker.com\/hedda-nia-da-costa\/\">Hedda<\/a><\/em> and <a href=\"https:\/\/www.youtube.com\/results?search_query=the+chronology+of+water+trailer\" target=\"_blank\" rel=\"noopener\"><em>The Chronology of Water<\/em>.<\/a><\/p>\n\n\n\n<p>Based on Lidia Yuknavitch\u2019s 2011 memoir of the same name, <em>The Chronology of Water <\/em>is a story of trauma, healing, survival, pain, sexuality, queerness and art. Anything but chronological, the film is a scrapbook of raw emotions, and a story Poots has long wanted to tell.<\/p>\n\n\n\n<p>She was attached to the film for roughly two-and-a-half years before Stewart was able to bring all of the pieces together to create the project she wanted to make, without concessions.&nbsp;<\/p>\n\n\n\n<p>Poots said she appreciated her director\u2019s journey from acting in a massive franchise like the <em>Twilight<\/em> saga to making a very personal film, largely about interior emotions.<\/p>\n\n\n\n<p>\u201cTo be seen by someone in this way and be given the chance means so much that I get emotional and it\u2019s ineffable to talk about,\u201d Poots says. \u201cI\u2019m very proud of this movie, and I\u2019m very proud of Kristen, and it feels separate from other things I\u2019ve done because of that emotional investment and love for the person I made it with.\u201d<\/p>\n\n\n\n<p>One of the greatest acting challenges is that she delivers most of her performance in silence.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-medium_large\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"443\" src=\"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW-788x443.jpg\" alt=\"\" class=\"wp-image-1186015\" srcset=\"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW-788x443.jpg 788w, https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW-1180x664.jpg 1180w, https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW-428x241.jpg 428w, https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW-1536x864.jpg 1536w, https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW.jpg 1920w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><figcaption class=\"wp-element-caption\"><em>(L-R) Imogen Poots, Thora Birch and Anna Wittowsky in <\/em>The Chronology of Water. <em>The Forge<\/em><\/figcaption><\/figure>\n\n\n\n<p>\u201cYou shouldn\u2019t ever really play tone or images. It\u2019s more like capturing the life of a person. I wasn\u2019t thinking about fragments other than maybe abstract shots,\u201d Poots says. \u201cOne of my favorite things about Lydia is that she can write and she\u2019s thinking all the time. There is this idea that an introvert is not thinking at all, but of course an introvert is often thinking the whole time. You can mistake silence for not thinking, which in this day and age is a real problem.\u201d<\/p>\n\n\n\n<p>Audience members have been approaching her after screenings to share their own stories. Poots says Stewart was adamant that the character in the film isn\u2019t Lidia the real person, but a fusion of that person, Stewart and Poots who is meant to reflect every woman.&nbsp;<\/p>\n\n\n\n<p>\u201cIt\u2019s incredible to see those reactions happen but it\u2019s also nice because there is nothing about this movie that feels indulgent,\u201d Poots says. \u201cWe made this and people are having reactions to it in their bodies and finding release from it. When you go to the movies and spend your money, you want to see something that does something and matters to you. That this does that meant a lot. That\u2019s cinema.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Imogen Poots on Her Training to Play Lidia Yuknavitch<\/h2>\n\n\n\n<figure class=\"wp-block-image size-medium_large\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"443\" src=\"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW5-788x443.jpg\" alt=\"\" class=\"wp-image-1186016\" srcset=\"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW5-788x443.jpg 788w, https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW5-1180x664.jpg 1180w, https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW5-428x241.jpg 428w, https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW5-1536x864.jpg 1536w, https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/TCOW5.jpg 1920w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><figcaption class=\"wp-element-caption\"><em>Imogen Poots in <\/em>The Chronology of Water<em> as the film&#8217;s version of Lidia Yuknavitch. The Forge<\/em><\/figcaption><\/figure>\n\n\n\n<p>Shot on film by cinematographer Corey Waters, <em>The Chronology of Water <\/em>presents fragmented images and sounds, juxtaposed with memories and present-day reality. Poots\u2019 character, Lidia, emerges in bits and pieces.<\/p>\n\n\n\n<p>\u201cOne of the things that makes Kristen such a great filmmaker is she\u2019s thinking about the edit,\u201d says Poots. \u201cIt\u2019s quite old-school; a lot of \u201870s directors were like that.\u201d<\/p>\n\n\n\n<p>To embody Lidia for the intense six-week shoot, Poots carved out a swimmer\u2019s back through extensive training in New York City pools. She got a hernia, but feels grateful for the opportunity.&nbsp;<\/p>\n\n\n\n<p>She also read everything she could by Yuknavitch, and by the authors who influenced her. And she corresponded with the writer, though they didn\u2019t meet before filming.&nbsp;<\/p>\n\n\n\n<p>\u201cHer writing reads in quite a beatnik fashion, with a lack of punctuation,\u201d Poots explains. \u201cIt was amazing to see she was telling the same story again and again. Like most writers are, she\u2019s sort of orbiting the same themes, and she\u2019s on a quest.\u201d<\/p>\n\n\n\n<p>Poots appreciates that the film puts audiences in sometimes uncomfortable positions, and asks questions, rather than recreating Lidia\u2019s journey in a \u201ctame and clinical\u201d fashion.&nbsp;<\/p>\n\n\n\n<p>\u201cIt\u2019s important these indie, independent films get made,\u201d she adds. \u201cIt\u2019s cool to give people a chance to be excited again and have the kinds of films we had growing up. Audiences are far more intelligent and imaginative than the current industry believes them to be.\u201d<\/p>\n\n\n\n<p>The Chronology of Water <em>is now in theaters, from The Forge.<\/em><\/p>\n\n\n\n<p><em>Main image: Imogen Poots trained to develop a swimmer\u2019s back for <\/em>The Chronology of Water<em>. The Forge.<\/em><\/p>","protected":false},"excerpt":{"rendered":"Imogen Poots doesn\u2019t take roles anymore unless she really believes in them. \u201cIn my twenties I didn\u2019t understand the concept","protected":false},"author":1910,"featured_media":1186014,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"disable_comments":false,"cm_data":"","cpt_newsletter_id":0,"tpd_coauthor":[],"tpd_feed_delay":{"delay_type":"default"},"is_tpd_lists_single_post":false,"tpd_featured_posts_arr":"","tpd_franchise_content":"","hide_featured_img_single_post":false,"msn_featured_video":[],"_msn_custom_title":"","tpd_featured_video":[],"tpd_sponsored_post_logo":"","tpd_sponsored_post_logo_link":"","tpd_sponsored_post_logo_width":0,"tpd_sponsored_enable_nofollow":true,"tpd_disable_incontent_ads":false,"tpd_disable_right_rail_ads":false,"tpd_disable_after_content_ads":false,"tpd_disable_header_ads":false,"tpd_disable_sticky_footer_ads":false,"tpd_disable_video_ads":false,"tpd_disable_outbrain":false,"tpd_affiliate_disclaimer":[],"footnotes":""},"categories":[41543],"tags":[],"coauthor":[],"feeds":[],"class_list":{"0":"post-1186012","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview"},"thumbnail":"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/Imogen-Poots-The-Chronology-of-Water-428x241.jpg","fimg_url_thumb":"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/Imogen-Poots-The-Chronology-of-Water-428x241.jpg","fimg_url":"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/Imogen-Poots-The-Chronology-of-Water-788x444.jpg","author_name":"Amber Dowling","author_avatar":"https:\/\/secure.gravatar.com\/avatar\/ef4fe000a395ddc64763134e9c1f71fa4e5fa825d3821a05c500b6b42b4ac6f1?s=96&#038;d=mm&#038;r=g","author_link":"https:\/\/www.moviemaker.com\/author\/amber-dowling\/","coauthors":[],"primary_category":{"term_id":41543,"name":"Interview","slug":"interview","taxonomy":"category","url":"https:\/\/www.moviemaker.com\/category\/interview\/"},"featured_img_medium":"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2026\/01\/Imogen-Poots-The-Chronology-of-Water-788x444.jpg","post_categories":["Interview"],"_links":{"self":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts\/1186012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/users\/1910"}],"replies":[{"embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/comments?post=1186012"}],"version-history":[{"count":0,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts\/1186012\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/media\/1186014"}],"wp:attachment":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/media?parent=1186012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/categories?post=1186012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/tags?post=1186012"},{"taxonomy":"coauthor","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/coauthor?post=1186012"},{"taxonomy":"feeds","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/feeds?post=1186012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}